Pantheon & Mythology

The gods walk in the mountains.

Tha at the summit, deities at the passes, spirits at every spring — a cosmos populated by presence, not emptiness.

Tha — The Supreme

At the apex of the Circassian pantheon stands Tha (or Thashkho, “the Great Tha”). Tha is not depicted, not named lightly, and rarely addressed directly. Tha is the ground of being — closer to the philosophers' logos than to any anthropomorphic god.

Beneath Tha, a family of deities administers the domains of the visible world. They are not competitors of Tha but expressions of Tha's attention to particular things — thunder, forest, hearth, iron, harvest.

Select any card below for that deity's mythology, sacred associations, realms, offerings, colors, numbers, taboos, and a ritual.

Nature Spirits

Alongside the named deities, Khabze recognizes a dense population of place-spirits: the guardian of a spring, the presence in an old walnut, the mood of a mountain pass. These are neither worshipped nor feared in the Western sense — they are acknowledged. A drink is poured. A word is left. Passage is asked for.

Notable among these are the Psy (water spirits), the Mez (forest presences), and the Wased (ancestral protectors of a household).

The Nart Sagas

A Nart hero on horseback in a mountain pass

The Nart Sagas are the great epic cycle of the North Caucasus — a body of oral literature shared, in variant forms, by Circassians, Abkhaz, Ossetians, and other peoples of the range. They tell of the Narts, a race of giant-hearted heroes who lived in the age before ours: Sosruko the trickster born of stone, Setenaya the wise mother of the people, Batraz of the tempered heart, Pataraz the avenger.

For Khabze, the Nart cycle is neither scripture nor mere folklore. It is the tradition's mirror — a way of teaching honor, restraint, cunning, and grief through story, so that the values of Khabze pass from one generation to the next in the voice of a grandmother, not the voice of a law.